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Core music theory for guitarists. Tap a topic to expand.
Notes & the Chromatic Scale
Western music uses 12 notes, repeating in octaves:
Each step is a semitone (one fret on guitar). Two semitones = one whole tone.
There is no sharp between E–F and B–C — these are natural semitones.
Intervals
An interval is the distance between two notes, measured in semitones:
| Semitones | Name | Example (from C) |
|---|---|---|
| 0 | Unison | C → C |
| 1 | Minor 2nd | C → C# |
| 2 | Major 2nd | C → D |
| 3 | Minor 3rd | C → Eb |
| 4 | Major 3rd | C → E |
| 5 | Perfect 4th | C → F |
| 7 | Perfect 5th | C → G |
| 12 | Octave | C → C |
The 3rd determines major vs minor quality. The 5th gives chords their stability.
Major & Minor Scales
A scale is a set of notes in order. The two most important:
Major scale (happy/bright) — W W H W W W H
Natural minor scale (sad/dark) — W H W W H W W
W = whole step (2 frets), H = half step (1 fret). Notice C major and A minor share the same notes — they are relative to each other.
Pentatonic Scales
The pentatonic scale uses 5 notes instead of 7. It's the most common scale for guitar solos and improvisation.
Minor pentatonic — 1 b3 4 5 b7
Major pentatonic — 1 2 3 5 6
The minor pentatonic is the foundation of blues, rock, and most guitar solos. Box 1 (frets 5–8 in Am) is the first shape every guitarist learns.
How Chords Are Built
A chord is 3+ notes played together. The most basic chord is a triad (3 notes):
| Type | Formula | Example | Sound |
|---|---|---|---|
| Major | 1 – 3 – 5 | C E G | Happy, bright |
| Minor | 1 – b3 – 5 | A C E | Sad, dark |
| Diminished | 1 – b3 – b5 | B D F | Tense, unstable |
| Augmented | 1 – 3 – #5 | C E G# | Mysterious, dreamy |
Add a 7th note to get seventh chords: maj7, min7, dom7 (the "blues" chord), etc.
The Nashville Number System
Instead of note names, chords are written as numbers relative to the key:
Uppercase = major, lowercase = minor. In the key of C:
This lets you talk about chord progressions in any key. "I–V–vi–IV" is the most popular progression in pop music (C–G–Am–F in key of C).
Common Chord Progressions
| Numbers | In C | Genre |
|---|---|---|
| I – V – vi – IV | C G Am F | Pop (most songs ever) |
| I – IV – V | C F G | Rock, folk, country |
| ii – V – I | Dm G C | Jazz standard |
| I – vi – IV – V | C Am F G | 50s doo-wop |
| i – iv – v | Am Dm Em | Minor folk/rock |
| I – IV – I – V | E A E B | 12-bar blues (simplified) |
Reading Rhythm
In 4/4 time (the most common), one measure has 4 beats:
| Note | Duration | Beats |
|---|---|---|
| Whole note | Full measure | 4 |
| Half note | Half measure | 2 |
| Quarter note | One beat | 1 |
| Eighth note | Half beat | ½ |
| Sixteenth note | Quarter beat | ¼ |
Downstrokes fall on the beat (1, 2, 3, 4). Upstrokes fall on the "and" (&) between beats. Count: "1 & 2 & 3 & 4 &".
Guitar Fretboard Logic
Standard tuning (low to high): E A D G B e
Each fret is one semitone higher. Key landmarks:
| Fret | Low E string note | Why it matters |
|---|---|---|
| 0 (open) | E | Open chord shapes |
| 5 | A | Same as next open string |
| 7 | B | Perfect 5th above open |
| 12 | E (octave) | Pattern repeats |
The 5th fret rule: the 5th fret of any string sounds the same as the next open string (except G string → B string, which is the 4th fret).
Onset Timing Test
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